Dating silverface deluxe reverb

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I just got a ’70s silverface Fender Twin Reverb that needs a little TLC.Surfing the various forums, I’ve learned that this master-volume edition of the Twin is one of the most (unfairly, to me) maligned designs.An additional change occurred in 1970 with the addition of a capacitor to eliminate “ticking” in the tremolo circuit.The next change was the addition of a master volume control in 1972. Now, having a master volume control on a Fender Twin Reverb, or most any other Fender amp of this era, seems like a useless addition.The ever-popular 40W Fender Hot Rod Deluxe III, equipped with a 12" Celestion speaker, may be the world standard for gigging guitarists.With bottom-end headroom characteristic of 6L6 tubes and a versatile all-12AX7 tube preamp, the Hot Rod Deluxe III amp offers luscious Fender spring reverb, an effects loop and more.Master volumes are generally associated with and necessary in amps that use considerable front-end gain to overdrive the preamp section.The signal level can then be reduced prior to the output stage to control overall amp volume.

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Both the Deluxe Reverb (DR) and Princeton Reverb (PR) “survived” the CBS silverface periods with minor changes.In 1968 Fender changed to the “silverface” control panel.The circuitry was altered as well: There were changes to the bias and phase inverter circuits and, most important, the output stage.Thanks, John Gilbert Matt Alcott Hi John, The Twin Reverb design has been through many iterations since its 1963 debut.The amps Fender produced between 19 are known as “blackfaces” because of their black control panels, and their designs remained largely unchanged during this period.

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